
Five separate films in the Star Wars franchise debuted in the 2010s, including The Force Awakens, which became the highest-grossing film of all time. A series of critical and commercial missteps, however, led to a nearly seven-year layoff; now, it’s up to a masked bounty hunter and a tiny creature (whose name is not Baby Yoda) to right the starship in The Mandalorian and Grogu.
Does The Mandalorian and Grogu Live Up to the Star Wars Hype?
The TV series The Mandalorian, a major hit for the Disney+ streaming service, proved that the Star Wars universe can work on television. Converting the appeal of that particular vehicle to a lavish and lengthy feature, however, is a much larger challenge — one that the filmmakers (mostly) meet.
The truism in Hollywood is that a big-screen adaptation of a television series should feel like a particularly good episode of the show; such is the case with the better Star Trek films and the improbably successful Simpsons Movie. Jon Favreau, the A-list director who launched the Marvel Cinematic Universe with Iron Man, seems to have followed that wisdom — albeit with a gargantuan budget.
The Mandalorian and Grogu feels like two pretty good episodes of its show; a bifurcated plot raises the possibility that this story was condensed from some previous pitch for a full season of action. The title character, a deadpan bounty hunter voiced by Pedro Pascal (and played in body by Brendan Wayne), is a reluctant soldier for the New Republic, a loose government mopping up the remnants of the fabled Empire. He’s tasked with locating a rogue former general (Jonny Coyne), with considerable complications along the way.
Dazzling Action Sequences, Dawdling Story
Somewhere around the one-hour mark, the movie switches to a familiar mode for the Star Wars series: Tying up loose ends from the series’ earlier chapters. In the case of The Mandalorian and Grogu, that involves the family of giant slug-villain Jabba the Hutt; the siblings of the alien kingpin have taken up the mantle and are trying to kill off Jabba’s son, a reformed alien named Rotta (voiced by Jeremy Allen White).
While it’s a bit disappointing to see the series rely once again on references to the original trilogy, it’s not over the top; there are no unexpected appearances from big-name characters, no promises of returning villains, no unexpected Skywalkers. (There’s not even a post-credit scene.) For the most part, The Mandalorian and Grogu plays it straight — with a bit of a mob-movie undertone, signified by the presence of Martin Scorsese, voicing a frantic food-service alien.
It’s the right move; this is a standalone tale that doesn’t require the audience to be familiar with the TV series. And there’s plenty of signature Star Wars fun here, from memorably weird aliens to thunderous battles between giant robots.
If it overstays its welcome a bit — and it does, with about three plot points too many — it’s still satisfying. After that seven-year layoff, it’s just nice to see some Star Wars action at the movie theater again. After all: Where would the multiplex be without Star Wars?
Spooky Hitchhikers and More New Films This Week
A terrifying trailer built anticipation for Passenger, a road-trip horror flick by Norwegian filmmaker André Øvredal. In the preview, a bizarre figure stalks along the roadside before materializing in the passenger seat, leading to vehicular mayhem. The full film has a few similarly spooky moments and some decent visuals but can’t quite deliver on its promise. Øvredal, who did better with the Dracula-inspired period piece The Last Voyage of the Demeter, can’t seem to draw enough suspense from the film’s backroads milieu and instead relies on loud noises and spooky faces. It’s not an utter disappointment, but Passenger is far from a horror classic. If you’re going to see it, at least find a drive-in; all those brake lights and slamming doors will add some immersion.
In a limited release, writer/director Boots Riley — whose 2018 film Sorry to Bother You became a cult favorite — returns with a sophomore effort, I Love Boosters, about a madcap retail scheme. The loaded cast includes Keke Palmer, Naomi Ackie, LaKeith Stanfield, Demi Moore, Don Cheadle and the breakout star of last week’s Is God Is, Kara Young.
Meanwhile, on streaming, John Krasinski takes another turn as oft-portrayed spy Jack Ryan in Tom Clancy’s Jack Ryan: Ghost War, available on Prime. This is the same character played by the likes of Alec Baldwin in The Hunt for Red October and Harrison Ford in Clear and Present Danger; Krasinski has been handling Ryan duties in a Prime television series since 2018.
And on Netflix, the gender-reversal comedy Ladies First pits Sacha Baron Cohen and Rosamund Pike against one another in an alternate, matriarchal universe. Reviews are not yet out, but the film … doesn’t exactly look subtle.
Story by Sean Collier
Featured Photo Courtesy of LucasFilm
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