Home Blog

Florence Travel Guide: The Sunset Food Tour on the Other Side of the Arno

0
A man in a jacket walks into a small shop front.

Florence is a city that can wear out even its most ardent admirers. By late afternoon on a chilly day just after the New Year, my family of three was footsore and frazzled, having spent hours in long, disorganized lines and crowds that seemed to multiply around every revered masterpiece in nearly every church and museum. 

Taking in a Florence Sunset Food and Wine Tour to Escape the Busy Tourists

We had started ambitiously. We stood in long lines for a glimpse of the luminous Fra Angelico works then on display at Palazzo Strozzi. Just after, we abandoned the endless queue at the Duomo to see, instead, Giotto’s frescos at Santa Croce, slipping next door to admire Brunelleschi’s perfectly conceived Cappella dei Pazzi and its Della Robbia sculptures. We were hardly alone at any point, but at least we could move. 

Our afternoon plan—to glide gracefully into the totally overcrowded Uffizi with pre-booked tickets—collapsed in an unceremonious rejection at the entrance because we missed our time slot. We salvaged the day with a detour to San Lorenzo and the Medici Chapel, where Michelangelo’s sculptures brood magnificently over the tombs of two powerful princes. It was all glorious, but by late afternoon we were more than ready to leave the bottlenecked heart of Florence behind. 

The relaxed, friendly Eating Europe Florence Sunset Food and Wine Tour was exactly what we needed. 

Crossing the Arno, Exhaling 

The tour focuses on the Oltrarno, the “other side” of the Arno—still central, but more “neighborhoody” in feel than the gridlocked streets around the monumental duomo and Uffizi. Just before the tour’s start time, we arrived at Piazza Santa Croce with a few minutes to spare. We took the chance to duck into the Chiesa di Santo Spirito

Inside, the calm geometry of Brunelleschi’s architecture—those pietra serena columns, arches, and porticos—felt like a harmonious antidote to our day of crowd management. The proportions are so quietly perfect they lower your blood pressure on sight. 

A woman food tour host smiles at the end of a brown dinner table.
Ellie, our guide

By the time we stepped back into the square, the sky was dimming. Our guide, Ellie, appeared. Warm, lively, and impeccably prepared, she radiated enthusiasm. Within minutes, our group of 10 Americans—strangers until that moment—felt like a small dinner party circulating through six stops in this lovely, mostly residential, part of Florence.  

A Wine Window into History 

DiVin Boccone, a family-run wine cellar and salumeria, sits behind a feature that’s typically Florentine: a tiny wine window, or buchetta del vino, set into the street-level facade. These stone-framed portals date back to the plague years, when wine merchants handed flasks and coins through the opening to minimize contact—an early form of social distancing. Even today, you can walk up to that same little window and order a glass of wine with almost zero human interaction.  

A woman shows off a wine window in Florence.
Ellie introduces us to a wine window

Inside, we descended into a cellar carved out of the earth by nuns in the 12th century. It felt timeless: cool air, stone walls, and rows of bottles resting in the half-light. Waiting for us: individual plates of charcuterie—silky prosciutto, housemade finocchiona (cured sausage scented with fennel), and a goat cheese and fig “tartare”—along with slices of schiacciata, the Florentine cousin of focaccia. 

Our wine glasses filled up with Greco di Puglia, a bright and structured white wine that matched the food beautifully, lifting the richness of the meats and the sweetness of the figs. We no longer felt like tourists, but rather like guests at a neighborhood table. 

We Met the “King of Cheese” 

Our second stop was a few minutes’ walk away at Sandro and Ivana’s cheese shop, where cheese is not merely sold—it is presided over. Sandro introduced himself as the “King of Cheese,” and then proved it with a crown, donned with sincerity and considerable charm. He and Ivana greeted Ellie like an old friend, and by extension welcomed all of us as if we were regulars. 

A variety of cheese all over a counter with a man wearing a crown behind it.

The tasting was simple but brilliantly instructive: 

  • A 36-month DOP Parmigiano Reggiano, whose crystals, salinity, and long, nutty finish reminded us why it’s truly Italy’s “king of cheeses.” 
  • A one-month-old Pecorino Maremmano, younger, softer, milder, and almost creamy in its delicacy. 

Side by side, they told a story of time, salinity, aroma, and texture—with just two cheeses, you understand something essential about Italian dairy culture. Many in our group bought wedges to take home. 

Cases of cheese as people walk by and look over them.

Ribollita and a Proper Negroni 

Just a few doors away, at Fiaschetteria Fantappié, the evening took a decidedly Tuscan turn. 

We started with a sip of Vermentino from Maremma, bright with green apple notes and a clean, saline edge. It cut straight through the chill in the air. Then came a Rosso di Montepulciano, made from Sangiovese Gentile—just a year old, and fresh, fruity, and open on the palate. 

A man pours glasses of cocktails at a Florence bar.

They paired both with ribollita, a deeply traditional Tuscan dish and ideal winter comfort food. Yes, it’s “just” a vegetable-and-bean stew, “reboiled” with stale bread folded into it. But you cannot deny its depth of flavor. It is the definition of restorative—thick, hearty, a bit rustic, infused with the long, slow cooking of a cold-weather kitchen. On a damp Florentine night, it warmed us all to the core. 

Then Comes a Bonus: Negronis. 

The team at Fiaschetteria Fantappié mixed up a batch of their signature Negroni while Ellie told the origin story of Count Camillo Negroni and his namesake cocktail. He always insisted on the correct formula: 

  • Equal parts gin, Campari, and red vermouth 
  • Garnished with orange 
  • Finished with the fragrant oils from a freshly peeled strip of orange zest 

For contrast, we also tried a Negroni Sbagliato, in which prosecco replaces gin. Its lighter, sparkling personality was charming, but the classic Negroni—with its precise balance of bitter, sweet, and botanical—is impossible to beat.  

Light-as-Air Gnudi and Sun-Soaked Sangiovese 

At Trattoria da Ginone, the atmosphere shifted from wine bar to old-school trattoria. Ellie warned us in hushed tones about the formidable grandmother in the kitchen—a real culinary matriarch. However, a very friendly chef named Marco emerged, pan in hand, to cook our dish tableside: spinach and ricotta gnudi. These are, essentially, the filling of ravioli without the pasta—delicate dumplings of ricotta and spinach, rolled swiftly and lightly in flour, then sautéed gently in butter and sage. 

A man cooks pasta in a pan at the dinner table.

They arrived on our plates like little clouds: soft, tender, and barely held together, coated in sage-infused butter and finished with grated Parmigiano. Utterly delicious.  

To drink, a Chianti DOCG made from Sangiovese grapes grown under the hot Tuscan sun without irrigation. The wine showed fig and raisin notes, with the warm, full body that makes Sangiovese so satisfying when served alongside rich, buttery dishes. It was another place we bookmarked for a long, unhurried return visit. 

Peposo and a Big Tuscan Red 

By this point, one might imagine we’d reached our limit. Assolutamente no. 

A bowl of beef stew with a chunk of bread and a fork sitting over it.

In the large back room of Trattoria Sant’Agostino, we gathered over bowls of peposo—a Tuscan classic said to have originated in nearby Impruneta, the town known for its terracotta. Traditionally, peposo is said to have fortified the brickmakers who fired tiles for the dome Brunelleschi designed for the Duomo. 

The dish is spare in ingredients but generous in flavor: beef shank or chuck slowly braised all day in red wine with garlic and lots of cracked black pepper. What arrives at table is dark, silky, and aromatic, the meat yielding to the slightest nudge of a fork. 

The wine pairing, a Ciliegiolo, was as memorable as the stew. Big-fruited and open, it hinted at cherries and red berries, with a subtle leather aroma that gave it complexity. Together, the peposo and the wine felt like a master class in wintery Tuscan robustness—hearty, bold, and memorable. 

A Sweet (and Storied) Finale 

After five stops, logic might suggest that dessert would be unnecessary. Ma no.  

Ellie led us back toward the river, to Gelateria Buontalenti near the Ponte Vecchio, just off historic Via Guicciardini. There, among the gleaming pans of gelato, she told us the story of Catherine de’ Medici, who is often credited with bringing Florentine gelato to France when she married Henry II. 

Gelato, as it turned out, did nothing to prevent Henry falling madly in love with Diane de Poitiers, but Catherine outlived him by three decades. It’s tempting, despite all medical evidence, to imagine that gelato may have contributed to her longevity. A spoonful of Buontalenti’s cool, creamy flavors certainly made a convincing argument. 

It was a simple ending and a perfect one: gelato in hand, the night settling over Florence, and the slightest hint of rain beginning to fall. 

A group of people walk down the night streets of Florence.

Why You Should Try an Eating Europe Florence Sunset Tour 

We didn’t linger long in the drizzle to say our goodbyes, but we remember our guide and our small group with fondness. The Eating Europe Florence Sunset Food and Wine Tour did more than feed us well—though it did that, superbly. It reframed the city. 

After a day defined by crowds and missed entry times, the tour gave us an entirely different Florence: 

  • A Florence of family-run wine cellars and centuries-old cellars carved by nuns. 
  • Of cheesemongers who wear crowns and treat DOP labels like living documents 
  • Of trattorie where gnudi are still sautéed in butter and sage at the table, and stews simmer all day in red wine. 
  • Of neighborhood bars where a Negroni is not a trend, but a tradition. 

On our next trip to Italy, we plan to book with Eating Europe again—whether in Florence or another city. For travelers who crave not just the sights but the flavors and stories of a place, this kind of curated, neighborhood-focused, small-group tour is an invaluable relief from museum lines and jam-packed must-see landmarks. 

For us, Florence is still about Brunelleschi’s domes, Giotto’s frescos, and Michelangelo’s marbles. But now it is also about ribollita thickened with yesterday’s bread, Sangiovese ripened under a dry Tuscan sun, and gelato melting just a little too fast as the rain begins to fall on the stones of Oltrarno. 

If your next journey to Florence leaves you hungry—for context, for connection, for something more than another crowded piazza—cross the Arno at sunset and let the city feed you. We wholeheartedly recommend that you let Eating Europe lead the way how. 

Story by Keith Recker

Subscribe to TABLE Magazine’s print edition.

Rome Travel Guide: Twilight Trastevere Food Tour Is a Must

0
A cheese counter case filled with various cuts of cheese in Rome.

My family’s most recent Italian vacation fell in that sweet, quiet fortnight after Christmas. Our college-age daughter’s winter break is our cue to escape, and more often than not, Italy is where we land—for the art, the architecture, the food, and that easy Italian warmth. This trip was centered on Florence, with quick detours to Siena and Rome. Rome is the city I know best: I lived there for a couple of years in the late 1980s, broke and blissful, walking everywhere, ducking into as many churches as I could to see Caravaggios and Berninis and other masterpieces in the settings they were made for. Those years left me with a mental map of the city that still lives vividly in my mind.

Exploring Eating Europe’s Twilight Trastevere Food Tour

This time, Rome greeted us with a historic rainstorm and the national holiday of Epiphany on January 6—two forces that together nearly shut the city down. With only a brief stay planned, we refused to lose even an hour to the weather. We grabbed umbrellas and set out, rewarded with discoveries like the recently restored church of San Girolamo della Carità. Entirely rebuilt in the 17th century on the site where St. Jerome is said to have lived, it later sheltered Rome’s patron saint, Filippo Neri, in an adjacent monastery. Inside, theatrical Baroque design is fully on display: a French blue ceiling with instruments of the Passion, a lavish chapel dedicated to Neri, and the splendid sense of drama you get so often in Roman churches.

Crossing Into Trastevere for a Different Rome

After hours of churches and wandering about, though, we needed a different kind of sustenance. We had booked Eating Europe’s Twilight Trastevere tour, so at the appointed hour we crossed to the Isola Tiberina to meet our guide.

Riccardo, our guide, greeted our small group with the warmth of an old friend and the charm of the actor he is. He was funny, well informed, and generous with practical advice—an ideal mix of storytelling and helpfulness. Within minutes we knew each other’s names and countries and states: Australia, New York, North Carolina, Colorado. Then we headed south across the Tiber into Trastevere. The name literally means “across the Tiber.” Historically, the neighborhood has stood just outside Rome’s official power center. While the ancient seven hills may be filled with monuments, museums, and ministries, Trastevere has always been more working-class and residential, more about daily life than spectacle. Its pleasures are grounded in food, drink, and the social life of its mostly small, slightly crooked streets. It felt like the right place to taste Rome at twilight.

An Intro to Wine and Roman Cuisine

Our first stop, Spirito DiVino, sits on a quiet side street, its modest entrance belying a remarkable past. The building once housed an 11th-century synagogue destroyed in 1247; Riccardo pointed out traces of the earlier architecture as we entered. Instead of heading to a table in the dining room, we descended a steep staircase into the wine cellar and straight into antiquity: the masonry walls and arches of a first-century BCE Roman villa still support the structure above. Filled with mud over centuries and excavated in 1850, it famously yielded a Roman marble copy of a Greek bronze by Lysippus—now in the Capitoline Museums.

A wine cellar down dark stairs in Rome.

Upstairs in the dining room, the food at Spirito DiVino is as compelling as its setting. Chef/owner Eliana Catalani—formerly a virologist in Nobel laureate Rita Levi-Montalcini’s lab—is now devoted to the Slow Food movement and to exploring Roman flavors both ancient and modern. The kitchen offered us her Magro di Maglio di Marzio, inspired by a recipe from De Re Coquinaria (The Art of Cooking), the famed ancient cookbook attributed to Marcus Gavius Apicius. Whether or not Apicius himself compiled it, the book offers an extraordinary glimpse into Roman-era cooking, long before tomatoes, potatoes, chili peppers, squash, corn, chocolate, or vanilla arrived from the Americas. Instead, cooks created flavor from onions, leeks, garlic, fennel, celery, fresh herbs like dill, parsley, oregano, thyme, and rosemary, plus spices like cumin and coriander.

A Dish So Good You’ll Want to Make It at Home

Chef Catalani’s interpretation of Apicius’s porcellum oenococtum—suckling pig braised in wine with leeks, coriander, cumin, pepper, and vegetables—was astonishing. The flavors were layered and complex yet completely integrated. As we tasted, we fell into silent admiration. Paired with an Umbrian Sangiovese from Lungarotti, it was easily the best thing my family ate on the entire trip. I’m determined to reverse-engineer a home version, with a hunch that adding celery seed or lovage seed may be crucial. With help from Chef Catalani’s son, Romeo, who guided us to an online recipe, I will try to recreate the dish. I’m certain the written recipe doesn’t reveal all of her secrets, so several trials may be necessary.

Note: A few years ago, I managed to arrive at a successful version of an old Neapolitan recipe we enjoyed on a previous trip to southern Italy, Genovese Classico.

Aperitivo, Bakeries, and Old-School Roman Flavors

Riccardo subsequently led us to Ercoli, an eight-year-old Trastevere restaurant and food hall. It was originally founded in 1928 in the Borgo Pio neighborhood near the Vatican. Think of it as the Roman answer to Eataly, but without the theatrics or the hype—just luminous food and a lovely environment. The counters display cured meats, pristine cheeses (about 140 of them), shelves of wines from Italy and beyond, and pantry goods chosen for excellence and local provenance.

A cheese counter case filled with various cuts of cheese in Rome.

At a long communal table, Ercoli introduced us to the Select Spritz. Created in Venice in 1919 by the Pilla Brothers, this tasting of Select was a first for me, despite nearly four decades of Italian food obsessions. I always avoid Aperol—too sweet and rarely a good match for food—but Select is another proposition entirely: herbal, slightly bitter, with a subtle spicy edge that makes it a wonderfully food-friendly aperitivo.

A cutting board of cheese and meats beside an aperol spritz.

They poured the beverages to accompany a charcuterie plate made up of fior di latte mozzarella from Molise; bruschetta layered with burrata over a vivid spread of fried zucchini, oil, lemon, garlic, and mentuccia (Roman mint); and thin slices of speck from pork shoulder, lightly smoked and air-cured for 8–10 months. The spritz’s bitter-herbal notes cut beautifully through the mozzarella’s milky calm, echoed the green brightness of the mentuccia, and met the speck’s salt and smoke head-on. We could easily have settled in at Ercoli for the entire evening.

The inside counter of a bar with freezer doors behind it.

Family and Food Go Hand-in-Hand

Instead, we followed Riccardo a short distance to Biscottificio Innocenti, family-run bakery without so much as a sign on the door. It doesn’t need one. Locals come out of long habit…perhaps even addiction! And the aroma attracts passersby, as well.

A case full of pastries and other sweets.

Inside, trays of just-baked cookies emerged from a long, antique oven. After a generous tasting, our entire group bought boxes “for later.” Kenny Dunn, owner of Eating Europe, spent some time with us here, adding friendly banter with the owner (and with us) to our visit.

Two women in aprons stand behind a counter.

From sweets we moved back to savory at La Norcineria di Iacozzilli, a 101-year-old butcher shop specializing in pork and cured meats. The third generation of the Iacozzilli family runs the counter now, sourcing meats, wines, and other specialties from family farms in Lazio, Marche, Abruzzo, and Molise. Here, Riccardo wanted us to taste a typical Roman porchetta. Made from a deboned suckling pig, seasoned with salt, pepper, lemon zest, and a paste of garlic, fennel, and herbs, then tightly rolled and roasted—traditionally on a spit over open flame—porchetta is a real treat.

Two men stand behind a butcher counter in jakcets.

Iacozzilli’s version got the dish just right: deeply savory, with garlic and aromatics present but not aggressive, and enough fat to keep everything juicy. Thin slices were served atop pieces of homemade pane casereccio, the rustic Roman bread with a chewy caramelized crust and a moist, open crumb that drinks in juices. Iacozzilli’s pairs this with two wines from Ciù Ciù in Le Marche: Merlettaie, a white made from Pecorino grapes, and San Carro, a red blend of Sangiovese, Merlot, and Barbera. Both did their job well, letting the pork stay center stage.

Roman Street Food

Next came Supplì, devoted to classic Roman street foods. The name comes from Rome’s classic rice croquettes—or arancini elsewhere in Italy. Supplì’s counter is always full with just-fried morsels: arancini with molten mozzarella, meat ragù, or chicken livers; pasta al forno; lasagna; pizza al taglio; roasted vegetables and meats.

A person pulls apart a deep fried ball of cheese.

The pace is nonstop, with neighbors popping in and out, ferrying paper-wrapped foods home or eating standing up in the doorway. We did the latter, standing just outside with Cacio e Pepe supplì in hand. The crunchy crust gave way to rice filled with a dollop of peppery and gooey cheese—a fun, street-food riff on one of Rome’s most revered pasta sauces.

It was hard to believe that we still had two stops to go, but Riccardo advised us to rally because much-praised restaurant Rione 13 was preparing two pastas for us: Rigatoni alla Gricia and Penne all’Amatriciana.

Classic Pastas

These are two of the four most famous, and most beloved, pasta sauces of Rome. The others are Carbonara and Cacio e Pepe. Each of them turns humble pantry basics into culinary poetry. I would cancel absolutely any plans at any time to have one of these dishes prepared by a Roman nonna – without a recipe, in her everyday kitchen, cooking by instinct and tradition. Gricia is the simplest: guanciale, pecorino Romano cheese, and black pepper. Don’t be fooled by its rustic sincerity into thinking it’s some kind of compromise: it’s stunningly delicious.

A man mixes up pasta at a table.

Carbonara builds on that base by adding egg yolks (or, in some family recipe books, whole eggs) and more pecorino Romano, to create a creamy, flavorful sauce. Amatriciana skips the eggs and adds traditional tomato sauce and a touch of pepperoncino. The acidity and spice lift the flavor so beautifully. (It’s my favorite.) Cacio e pepe skips the guanciale altogether, relying on black pepper, pecorino Romano, and pasta water (and a little skill) to arrive at a creamy, nuanced, and wholly satisfying sauce.

Rione 13 brought their gricia and amatriciana pastas to our table in enormous copper pentole (skillets) and Riccardo finished the sautéeing tableside. He kept the pasta al dente and served it up piping hot. The food was so delicious that, to be honest, I have no idea what wine we drank. It didn’t matter. We will certainly return here on a future trip.

Gelato and Goodbyes

We lingered here for what seemed like a very long time, enjoying each other’s company, and Riccardo’s story of life in Rome, as well as Genova, his city of birth, and Venice and Milan, where he has spent a lot of time. It was difficult to roust ourselves to move to the last stop for gelato, but we made it to Fatamorgana.

A woman looks at a scoop of vanilla ice cream.

Known for its inventive, clean flavors, the shop felt like a palate cleanser in every sense. We gravitated toward fruit-forward scoops—bright, clear, and ideal after the deliciously rich food we had enjoyed. Standing there with gelato in hand, under damp winter skies in a neighborhood that has seen generations of Romans do exactly the same thing, we promised ourselves we’d be back—with emptier stomachs and even more time to wander.

Why Take Eating Europe’s Twilight Trastevere Food Tour

Eating Europe’s Twilight Trastevere tour is an elegant shortcut to exactly what most travelers are hoping for but rarely find on their own: real neighborhood places, dishes with a sense of history, and a guide who can connect the food on your plate to the city around you. We loved how this well-curated evening threads together ancient history, multigenerational shops, classic Roman cooking, with appropriate wine pairings throughout. If you’re planning a Roman itinerary heavy on museums and monuments and shops, I’d recommend that you hand over the reins to Eating Europe for an evening. Book in advance, especially in high tourist season. Arrive hungry and curious, and relax—bite by bite—into the sincere and earthy appeal of Trastevere.

Story by Keith Recker

Subscribe to TABLE Magazine’s print edition.

Collier’s Cuts: Zazie Beetz Takes on Dark Forces in ‘They Will Kill You’

0
A woman covered in blood carries a torch.
A graphic rating of 2 1/2 out of 5 stars with a picture for They Will Kill You.

Well-heeled Satanists are big right now. A week after Samara Weaving squared off against the demonic upper crust in Ready or Not: Here I Come, Zazie Beetz is facing her own squadron of bedevilled adversaries in the well-named actioner They Will Kill You.

Does They Will Kill You Live Up to Modern Horror Standards?

In fact, They Will Kill You is remarkably similar to Ready or Not: Here I Come. Both are extravagantly gory, action-first stories about estranged (and troubled) sisters forced to engage in a vicious battle of survival with a wealthy, Satanic cabal lurking within an ornate stone building.

Seriously — that’s the plot of both movies. You’d think one or the other would’ve at least delayed release for a few months.

The main way They Will Kill You is different from last week’s picture is in its tone; director Kirill Sokolov has a frenetic, overly stylized approach to filmmaking. (It’s reductive to say it’s an imitation of Quentin Tarantino … but it’s an imitation of Quentin Tarantino, from head to toe. Emphasis on the latter.) There are memorable sequences in They Will Kill You, but they often seem to be assembled by accident. Throughout the relatively short feature, Sokolov throws a hodgepodge of musical styles, camera tricks, sound effects and visual flourishes at the viewer. Occasionally, some of these punches land — frequently, they don’t.

A woman holding a lighter peaks through windowsill blinds.
Zazie Beetz in Warner Bros. Pictures’ They Will Kill You

Zazie Beetz Can’t Make Sense of It, But She Can Punch Through It

It’s a relief, then, that the highly charismatic and fully determined Zazie Beetz is on hand to lasso the mayhem. While They Will Kill You is ultimately a bad movie, no one told Beetz that; she approaches every scene with fury and flair.

Less notable are the roster of character actors who they drag in to oppose Beetz. Patricia Arquette appears to be here solely for the paycheck (and it can’t have been all that great of a paycheck), seemingly trying on different accents throughout the film to amuse herself. Heather Graham occasionally puts a modicum of effort in but does not have much to work with. Tom Felton is clearly just happy to be employed.

They Will Kill You is busy, but it’s remarkably light on substance. The plot barely moves, the effects are awkward and the logical gaps are bountiful. By the time the talking pig head starts rattling off the intricacies of demonic contract law — not an exaggeration — you’ll have checked out. Our heroine may be able to fend off an army of immortal foes, but even she doesn’t have the strength to defeat a script this weak.

Documentaries in the Cinema, Narrative Features at Home

If you prefer your potential world-enders a bit more (sadly) plausible than a high-rise full of Satanists, there’s a documentary for you. The AI Doc: Or How I Became an Apocaloptimist follows Oscar-winning filmmaker Daniel Roher as he grills experts and futurists for hope amid the dire noise surrounding Artificial Intelligence. Everything Everywhere All at Once directors Daniel Kwan and Jonathan Wang serve as producers.

A thorough and lively music doc is also making its way to cinemas at the moment. Billy Preston: That’s the Way God Planned It explores the musical triumphs and personal struggles of its subject, who reached the heights of stardom in the 1960s and ’70s before fighting demons (but, always, still making music) throughout the rest of the century. Collaborators including Ringo Starr and Mick Jagger testify about Preston’s unmatched musicianship.

A pair of action flicks hit streaming this week. On Prime, Pretty Lethal follows a ballet troupe forced into combat; Uma Thurman, Maddie Ziegler, Avantika Vandanapu and Millicent Simmonds star. On Hulu, meanwhile, gangsters get stuck with a time machine in Mike & Nick & Nick & Alice, featuring Vince Vaughn, James Marsden and Keith David.

Story by Sean Collier
Photos by Graham Bartholomew/Warner Bros. Pictures

Subscribe to TABLE Magazine’s print edition.

Manjar Blanco (White Pudding)

0
Three cups full of a white pudding with red pomegranate seeds on top.

Manjar Blanco (White Pudding), or Blancmange, is not a contemporary dessert. It’s actually in cookbooks from the tenth century, often with the addition of sugar, saffron, and even chicken. It resembles malabi, the famous creamy-jelly dessert commonly found today throughout the Middle East. Cassava starch, also known as tapioca flour, can thicken or jellify certain recipes. This root has been consumed since at least 2500 BCE in Latin America (Peru), and utensils for grating cassava tubers have been found in Mexico (Tehuacán and Tamaulipas) dating back to the first millennium BCE. It is possible that the Manjar Blanco prepared by crypto-Jews to celebrate Sukkot may have also used cassava starch for a thickener.  

Two glasses of white pudding, manjar blanco, with pomegranate seeds everywhere.
Print
clock clock iconcutlery cutlery iconflag flag iconfolder folder iconinstagram instagram iconpinterest pinterest iconfacebook facebook iconprint print iconsquares squares iconheart heart iconheart solid heart solid icon
Three cups full of a white pudding with red pomegranate seeds on top.

Manjar Blanco (White Pudding)


  • Author: Hélène Jawhara-Piñer

Description

Taking it back to the early ages of dessert.


Ingredients

Scale

For the pudding:

  • 1 tsp agar powder + ¼ cup almond milk
  • 1 short cinnamon stick
  • 3 cups almond milk
  • 2 tbsp sugar
  • ½ tsp rose water
  • ½ tsp vanilla extract

For the toppings: 

  • Mexican Pinon nuts, toasted (you can use pine nuts as a substitute)
  • 2 matzah toffee sheets, broken into chunks
  • Preserved orange, sliced
  • 6 tbsp pomegranate syrup (1 tbsp per glass); you can add fresh seeds as well
  • 2 apricots, cut into quarters


Instructions

  1. Place six small crystal glasses on a tray.
  2. In a small bowl, combine the agar powder and the ¼ cup almond milk.
  3. Place the cinnamon stick and sugar in a pan and pour over the remaining 3 cups of almond milk. Stir, and bring to a boil.
  4. Once the almond milk is boiling, pour in the agar mixture and lower the heat. Stir constantly for about 3 minutes. Add the rose water and vanilla. It will thicken slightly but look runnier while it’s hot. As it cools down it will thicken more.
  5. Remove the cinnamon stick and pour the manjar blanco into the glasses; try to avoid touching the edges. Let them cool at room temperature without moving them.
  6. Once they are cooled, you can place them in the fridge for a firmer consistency (or if you’d prefer it chilled, which is recommended).
  7. Decorate the top of the manjar blanco with any of the toppings and serve.

Recipes appear in Jawhara-Piñer’s books, Matzah and Flour: Recipes from the History of the Sephardic Jews, and Sephardi: Cooking the History. Recipes of the Jews of Spain and the Diaspora, from the 13th Century to Today. To dig deeper into Jewish food history, read Jawhara-Piñer’s Jews, Food, and Spain: The Oldest Medieval Spanish Cookbook and the Sephardic Culinary Heritage

Recipe and Story by Hélène Jawhara-Piñer 
Food Styling and Preparation by Julia Platt Leonard
Photography by Gabriella Marks 

Subscribe to TABLE Magazine’s print edition.

Salomón De Machorro’s Fish Tacos 

0
Three fish tacos in hard shells with purple slaw and tomatoes.

These Fish Tacos take their inspiration from an ages old story. The link between corn tortillas to the culinary heritage of Mexico is undeniable, since pre-Colombian times already had tortillas aplenty. In 1642, Salomón de Machorro (aka Juan de León, famous for his travels and knowledge of Judaism) was denounced by Catalina de Rivera for having consumed corn tortillas with fish and vegetables with his friends for Passover. This dish is a tribute to the intrepid Señor de Machorro. 

Print
clock clock iconcutlery cutlery iconflag flag iconfolder folder iconinstagram instagram iconpinterest pinterest iconfacebook facebook iconprint print iconsquares squares iconheart heart iconheart solid heart solid icon
Three fish tacos in hard shells with purple slaw and tomatoes.

Salomón De Machorro’s Fish Tacos 


  • Author: Hélène Jawhara-Piñer

Description

Make your tortillas from scratch too…


Ingredients

Scale

For the dough:

  • 2 cups masa harina
  • 1½ tsp salt
  • 1⅓ cup hot water
  • 1 tsp olive oil

For the fish and sauce:

  • ¼ cup olive oil
  • 2 cloves of garlic, chopped
  • 1 red onions, sliced very thinly
  • ½ lb fresh white fish, cut into bite-size cubes
  • Juice of 1 lime
  • 1 tsp salt
  • ½ tsp black pepper
  • 2 tbsp chopped fresh cilantro
  • 2 tbsp finely chopped chives
  • Sliced radish, purple cabbage, and green onions, optional


Instructions

For the dough:

  1. To make the dough, mix corn flour and salt in a large bowl. Add the olive oil and the hot water and mix with a spoon until all the water is absorbed.
  2. Make golf ball-sized dough balls (1⅛ oz each). Let them rest on a plate for 20 minutes, covered so they do not dry.
  3. To flatten and cook the tortillas, you can use a tortilla press if you have one: remember to put the dough ball between two pieces of parchment paper or plastic so it does not stick to the press. Place it in the center of the bottom part of the press, then open it and carefully, and with the palm of your hand remove the tortilla from the parchment sheet. If you don’t have a tortilla press, you can use the bottom of a heavy saucepan and press down hard. Again, do not forget the parchment paper!
  4. Cook in a preheated (medium-high heat) nonstick skillet for 20 seconds. Then flip the tortilla over and cook the other side for 20 more seconds. Repeat the operation once more until the tortilla has golden-brown marks. Keep the tortillas in a plastic bag, not completely closed, while you make the filling.

For the fish and sauce:

  1. Put half of the olive oil, garlic, and red onion in a frying pan. Cook for 10 minutes on low-medium heat until golden.
  2. Remove the onions from the pan and set aside. Add the rest of the olive oil and once warm, add the fish Cook until almost done and then add the lime juice. Add salt and black pepper. Cover the frying pan and cook on a low heat for 5 minutes.
  3. Sprinkle with the chopped fresh cilantro and chives.
  4. Fill the corn tortillas with the delicious fish and the juices and enjoy.

Recipes appear in Jawhara-Piñer’s books, Matzah and Flour: Recipes from the History of the Sephardic Jews, and Sephardi: Cooking the History. Recipes of the Jews of Spain and the Diaspora, from the 13th Century to Today. To dig deeper into Jewish food history, read Jawhara-Piñer’s Jews, Food, and Spain: The Oldest Medieval Spanish Cookbook and the Sephardic Culinary Heritage

Recipe and Story by Hélène Jawhara-Piñer 
Food Styling and Preparation by Julia Platt Leonard
Photography by Gabriella Marks 

Subscribe to TABLE Magazine’s print edition.

Passover Indian Wheat and Herb Crackers

0
A picture of small Passover crackers in a muffin tin beside fresh produce.

A botanical text written in the 16th century by the Spanish converso, doctor, physician and botantist Francisco Hernandez called History of the Plants of New Spain, mentions maize (corn), which he calls “Indian Wheat” and tortillas which he calls “Pan de Indias” (Indian Bread). He found the process of nixtamalization (corn soaked in an alkaline solution, cooked, and hulled, in order to increase its nutritional value), a process used in 16th century in Mexico to get the best tortillas. Salsa verde was already consumed before the arrival of the Spanish conquistadors in the 15th century, making this dish of Passover Indian Wheat and Herb Crackers with Salsa Verde one with deep historic roots.  

Print
clock clock iconcutlery cutlery iconflag flag iconfolder folder iconinstagram instagram iconpinterest pinterest iconfacebook facebook iconprint print iconsquares squares iconheart heart iconheart solid heart solid icon
A picture of small Passover crackers in a muffin tin beside fresh produce.

Passover Indian Wheat and Herb Crackers


  • Author: Hélène Jawhara-Piñer
  • Yield: Serves 4

Description

An ode to a historical recipe.


Ingredients

Scale

For the crackers:

  • ½ cup flat-leaf parsley, chopped
  • 1 tbsp celery leaves, chopped
  • ½ cup arugula leaves, chopped
  • ½ cup masa harina
  • ⅓ cup water
  • 1 tbsp olive oil
  • 1 tsp salt
  • ¼ cup masa harina (to flour the parchment paper)
  • 1 tsp coarse salt (to sprinkle)
  • 1 tsp chili flakes (to sprinkle)

For the salsa verde:

  • 5 Mexican green tomatillos with husks
  • 5 green chiles Serrano or Jalapeño (use regular hot green chili for substitution)
  • 3 garlic cloves, unpeeled
  • 2 tsp salt
  • ¼ cup fresh cilantro and/or parsley, roughly chopped


Instructions

For the crackers:

  1. Preheat oven to 310 degrees.
  2. Combine all ingredients except for the coarse salt and the chili flakes and put the ball of dough in a plastic bag and freeze for 10 minutes.
  3. Flour a piece of parchment paper with corn flour, place the dough in the middle, and flour the top of the dough. Place another parchment paper over the dough.
  4. Roll the dough out between the two sheets of parchment paper until the dough is thin (about a tenth of an inch), and chill in the refrigerator for 20 minutes.
  5. Place the parchment paper with dough on top of a baking tray. Remove the top parchment paper and sprinkle the dough with the chili flakes. Press carefully with a rolling pin or with your hands so the flakes stick to the dough.
  6. Use a cookie cutter to cut the dough into cracker shapes. They can be round or square. Do not remove them from the parchment paper. Sprinkle with the coarse salt.
  7. Bake for 20-30 minutes and then broil for 3 minutes. Be careful not to burn them.
  8. Let cool for 10 minutes before separating the crackers.

For the salsa verde:

  1. Heat an iron skillet to medium-high heat and sear the tomatillos, chiles, and garlic cloves for about 4 minutes, turning occasionally. Set aside.
  2. Remove the husks from the tomatillos. They should be soft to the touch.
  3. Take a blender or, better, a molcajete (or a mortar), and grind the cloves of garlic (without their peel) with the chiles until it forms a paste. Add the salt and half of the chopped cilantro/parsley and half of the charred tomatillos.
  4. Grind for a minute or two. Add the other half of the tomatillos and keep grinding, but not too much; you do not want a homogeneous paste. Add the remaining chopped herbs and stir.
  5. Pour in a bowl if ready to use, or in a sealed jar and store in the fridge.

Recipes appear in Jawhara-Piñer’s books, Matzah and Flour: Recipes from the History of the Sephardic Jews, and Sephardi: Cooking the History. Recipes of the Jews of Spain and the Diaspora, from the 13th Century to Today. To dig deeper into Jewish food history, read Jawhara-Piñer’s Jews, Food, and Spain: The Oldest Medieval Spanish Cookbook and the Sephardic Culinary Heritage

Recipe and Story by Hélène Jawhara-Piñer 
Food Styling and Preparation by Julia Platt Leonard
Photography by Gabriella Marks 

Subscribe to TABLE Magazine’s print edition.

The Castellanos’ Lamb and Lettuce Stew with Unsalted Bread 

0
A bowl full of lamb and lettuce stew with strips of fried matzah around it.

The Castellanos family lived in Mexico City in the 16th century and observed Passover more than other Jewish holidays. Christian Holy Week and Passover usually fall close to one another, so the crypto-Jewish traditions of the Americas reflect a mix between Jewish practices and Christian ones. Back in Portugal, the Castellanos would have used chard but in the new world, substituted lettuce instead. The Castellanos ate this Lamb and Lettuce Stew with unsalted and unleavened bread.

Nowadays, we can still point to crypto-Jewish traditions that have endured through the centuries. In The International Review of Jewish Genealogy by Burqueño Edwin Berry explains that he “recalls his mother making what he says resembled unleavened bread once a year around Lent. It was like a long biscuit, and it was eaten only a few days of the year.” (See Secrecy and Deceit, by D. Gitlitz). This is an echo of the habits of the Castellanos and other crypto-Jewish families of the Spanish colonial era.

Eating lamb at Passover was also a custom among crypto-Jews in Mexico, as Salomón de Machorro (aka Juan de Leon) told Inquisitors in 1642.

Print
clock clock iconcutlery cutlery iconflag flag iconfolder folder iconinstagram instagram iconpinterest pinterest iconfacebook facebook iconprint print iconsquares squares iconheart heart iconheart solid heart solid icon
A bowl full of lamb and lettuce stew with strips of fried matzah around it.

The Castellanos’ Lamb and Lettuce Stew with Unsalted Bread 


  • Author: Hélène Jawhara-Piñer

Description

Warm up your soul and your stomach.


Ingredients

Scale

For the lamb:

  • 1 lb boneless lamb, shoulder or leg, cut into 1-inch cubes
  • 1 tsp ground ginger
  • 1 tsp ground cumin
  • ½ tsp ground cinnamon
  • ¼ tsp cayenne pepper
  • 2 tsp salt
  • 2 tsp black pepper
  • 23 tbsp olive oil
  • 1 onion, finely chopped
  • 2 garlic cloves, minced
  • ½ cup chicken broth
  • 1 head of lettuce (butter or green leaf), washed and chopped
  • 12 tbsp honey
  • ½ cup raisins
  • 2 tbsp chopped fresh parsley, to garnish
  • 2 tbsp chopped fresh cilantro, to garnish
  • Matzah strips, to garnish

For the matzah:

  • 1 cup white wheat flour
  • 1½ cup masa harina
  • ½ cup + 2 tbsp cold water
  • Vegetable oil for frying


Instructions

For the lamb:

  1. In a large bowl, combine the cubed lamb, ginger, cumin, cinnamon, cayenne pepper, salt and black pepper.
  2. Place in a bowl, cover, and refrigerate.
  3. The next day, heat 2 tablespoons of olive oil in a large skillet over medium-high heat. Add the onions and garlic and sauté gently until golden brown. Remove the onion mixture and set aside
  4. Add the lamb mixture and cook, turning the pieces over, until all sides are browned, adding another tablespoon of olive oil if needed.
  5. Add back the onion mixture back and stir to combine with the lamb.
  6. Pour in the chicken broth and bring to a simmer. Cover the skillet and reduce the heat to low. Cook 3-4 hours until the lamb is almost tender. Add the lettuce, raisins, and stir in the honey and cook until the lamb is fully tender and falling apart and the lettuce is wilted. The sauce should be thickened. Taste and add more salt or honey as desired.
  7. Sprinkle with chopped parsley and cilantro. Serve hot with strips of matzah.

For the matzah:

  1. Prepare 2 sheets of plastic wrap that are a little bit larger than the tortilla press. They will be used for the tortilla press to avoid the dough sticking to the tortilla press sides. If you don’t have a tortilla press, you can roll out the dough between sheets of parchment paper.
  2. Mix the two flours. Progressively add the cold water to the flour and stir constantly until the flours absorbs all the water. Knead the dough for about 5 minutes. The dough should be moist to the touch.
  3. If using a tortilla press, cut the dough into 3 pieces and roll into balls the size of ping pong balls.
  4. Open the tortilla press, place a plastic sheet (or parchment paper) on the bottom, a ball of dough in the middle, and cover with the other plastic sheet. Close the tortilla press and press down to flatten the dough. Open the tortilla press and carefully remove the dough from the plastic wrap.
  5. Preheat your nonstick iron skillet to medium-high heat.
  6. Cut the dough into strips about ½ inch wide and lay the strips carefully onto the hot skillet coated with a small amount of oil. Fry the strips for about 15 seconds. Remove and place on a paper towel to drain.

Recipes appear in Jawhara-Piñer’s books, Matzah and Flour: Recipes from the History of the Sephardic Jews, and Sephardi: Cooking the History. Recipes of the Jews of Spain and the Diaspora, from the 13th Century to Today. To dig deeper into Jewish food history, read Jawhara-Piñer’s Jews, Food, and Spain: The Oldest Medieval Spanish Cookbook and the Sephardic Culinary Heritage

Recipe and Story by Hélène Jawhara-Piñer 
Food Styling and Preparation by Julia Platt Leonard
Photography by Gabriella Marks 

Subscribe to TABLE Magazine’s print edition.

Collier’s Cuts: Ryan Gosling Tries to Save the World in ‘Project Hail Mary’

0
Ryan Gosling sits strapped into a spaceship with a pen behind his ear.
Ryan Gosling stars as Ryland Grace in PROJECT HAIL MARY, from Amazon MGM Studios. Photo credit: Jonathan Olley © 2025 Amazon Content Services LLC. All Rights Reserved.
A rating and information graphic for Project Hail Mary with an image of the film beside it.

The term “hard science fiction” refers to works of fancy reliant on stringent scientific accuracy. In terms of film, though, the name might as well mean hard to adapt; it’s tricky to be entertaining and scientific at the same time. Yet novelist Andy Weir’s books are hits, and an adaptation worked once, with the 2015 hit The Martian. Now, directors Phil Lord and Christopher Miller have tried to replicate that film’s success with Project Hail Mary.

Project Hail Mary Movie Review

Weir’s work is once again adapted by writer Drew Goddard, who broke through as a television scribe on series including Buffy the Vampire Slayer and Lost. His screenplay for The Martian got a nomination for an Oscar, a recognition of the considerable task he faced: Turning a dense and technical chronicle of the scientific method in extremis into an adventure film.

With Project Hail Mary, there’s just as much science but considerably more heartache. Dr. Ryland Grace (Ryan Gosling) awakes aboard a spaceship light years removed from the solar system. The induced coma he’s been placed in has kept him alive but, at least temporarily, rendered him without memories of how he got there or what he’s meant to do. His two fellow astronauts were not so lucky; neither survived the journey.

The memories come in flashbacks; in time, Grace remembers the dire task before him. An unknown organism that seems to be eating the sun poses a threat to Earth. One distant star seems immune; Grace’s ship is to figure out why and send instructions for survival back home. As he begins trying to understand the alien system around him, he spies something.

A Ringing Endorsement of Humanity

I had a powerful reaction to Project Hail Mary; it was a jarring reflection of humankind’s flaws and potential. It celebrates our intellectual prowess while acknowledging the limitations of our understanding; it depicts our capacity for bravery while admitting our tendency toward fear; it champions our ability to cooperate without denying our collective chaos.

If you haven’t seen the trailers for Project Hail Mary, I won’t spoil what Grace finds on that other ship; the revelation is too delightful. I will say, however, that I expected a somewhat somber epic — a sort of interstellar Old Man and the Sea. Instead, I got a funny (and occasionally even whimsical) adventure.

Gosling is the perfect vessel for such a journey, of course, but the triumph is in the tale. This has all the truth of a real-life account combined with the imagination of the most speculative fiction, sitting somewhere near the intersection of Apollo 13 and 2001: A Space Odyssey.

Beauty and Breathtaking Imagery, Far From Home

The film’s visuals are stunning; Lord and Miller, who have frequently co-written films but not directed together since the 2014 comedy 22 Jump Street, demonstrate a surprising ability to depict and convey cosmic wonder. The credit for such visions should also go to production designer Charles Wood — who has experience developing alien worlds in Marvel pictures such as Guardians of the Galaxy and Avengers: Endgame — and Oscar-winning cinematographer Greig Fraser, who somehow found time to shoot this amid his work on the Dune films.

Dazzling images alone don’t make a classic, however — a fact demonstrated by a hundred hollow sci-fi splendors. Project Hail Mary reaches the very heights of the genre not on what remarkable vistas it shows us but rather on its insights and impact. If your eyes are dry throughout Project Hail Mary, I don’t think you’re paying attention. It’s a stirring film and an immediate entry into the science fiction canon.

They Gave Ready or Not 2 the Proper Subtitle, and More Upcoming Movies

Oddly, the two most prominent protagonists at the multiplex this weekend both have the name Grace. The other is a blood-spattered bride played by Samara Weaving, who survived a deadly and demonic game of hide-and-seek in 2019’s Ready or Not.

The sequel, Here I Come, picks up immediately — always a welcome method in the horror genre — as Grace faces more problems. If she thought that offing her Satanic in-laws solved her dilemma, she was wrong; she must now face a global supply of underworld power brokers, determined to claim power at her expense. Weaving is an underrated and reliable lead, and she’s buoyed by a game supporting cast, including Kathryn Newton, Elijah Wood and Sarah Michelle Gellar. The returns are a bit diminished from the delightful original, but Here I Come is a satisfying bonus chapter for fans of the first film.

If a British television series is successful for long enough, its story will continue in a standalone film. Such is the case with Peaky Blinders, which finally gets a big-screen chapter some 13 years after its first season debuted. Netflix’s Peaky Blinders: The Immortal Manhas popped up unpredictably in select theaters — that’s kind of what they do — but will begin streaming at home this Friday

While the Academy certainly gave him a swift backhand last weekend, you too can defy Timothee Chalamet in fine fashion. Attend an in-theater stream of the Metropolitan Opera’s Tristan und Isolde. A live stream will beam to cinemas around the country on Saturday, with replays scheduled for Wednesday.

Story by Sean Collier
Photos Courtesy of Amazon MGM Studios

Subscribe to TABLE Magazine’s print edition.

Your Astrological New Year Horoscope for Spring 2026

0
Paper lanterns in a red color for the New Year in China hang from the ceiling with lights inside of them.

Each spring, the sky reaches a moment of balance that marks the beginning of the astrological year. When the Sun arrives at the first degree of Aries – the northern spring equinox – it crosses the celestial equator, and daylight begins to pull ahead of night in the northern hemisphere. Many cultures have long treated this turning of light as the start of a new year, from the Persian Naw Ruz to the traditional Hindu solar new year.

Astrologically, the Sun’s arrival in Aries has long been a major marker. Because the Sun represents leadership and the overall vitality of a community, its entrance into this sign was read as an indicator of the year’s themes. Court astrologers cast this chart when a monarch or head of state came to power, outlining the pressures and opportunities likely to shape their tenure.

But the equinox chart provides a backdrop for the year for us all – a broad pattern that shapes the atmosphere we all move through.

Water Signs and the Year’s Opening Current 

The year opens under a striking trine between Mars and Jupiter, a configuration that tends to move things forward whether we feel ready or not. It sets a current of momentum beneath early-season choices, so the practical question becomes where that energy is best directed. Both planets are in water signs, which orients this surge toward connection, imagination, and activities that deepen our sense of belonging. Creative work that relies on intuition, craft, or emotional intelligence is especially well supported, as are efforts that involve tending to relationships, communities, or shared environments.

With Mars moving through Pisces and Jupiter strong in Cancer, there is also an emphasis on what is hard to capture in plain language. Both the fish and the crab are traditionally described as voiceless creatures, a symbolic reminder that some of the most meaningful developments this spring unfold beneath the surface. That can refer to spiritual insight or emotional renewal, but it also speaks to experiences that can broaden one’s world: travel by water, time spent near coastlines, or adventures that pull us away from familiar terrain. This trine favors movement into richer, more sustaining territory – both inward and outward.

Mercury Hangs in Our Skies Before It Advances

As the year begins, Mercury is stationing direct – appearing momentarily still in the sky as it transitions out of its retrograde phase. This pause is often more noticeable than the retrograde itself. It marks the point where stalled conversations, delayed plans, or unclear information begin to regain definition. Mercury governs how we think, organize, and communicate, and its retrograde period tends to expose weak points in those systems: the plans that need revision, the workflows that no longer do what they were supposed to do, the assumptions that benefit from a second look.

A station direct signals the shift from review to forward movement. It can’t arrive all at once, but the atmosphere becomes easier for decisions, scheduling, and technical problem-solving.

Mercury’s conjunction with the North Node suggests a season for making choices that feel stretching but worthwhile – decisions that pull us toward more constructive patterns in how we speak, listen, and plan. The direct station marks a clean starting point.

Setting a Cooperative and Affirming Tone

Soon after Mercury turns direct, it forms a trine with Jupiter in Cancer, setting a constructive tone for early-season problem-solving and communication. Mercury rules analysis, planning, and the exchange of information; Jupiter broadens perspective and encourages sound judgment. Together, they create a clear window for making decisions, sorting out logistics, and approaching conversations with a steadier, more generous mindset.

Mercury and Jupiter rule opposing signs, which traditionally link them to partnerships, contracts, and any situation that requires two parties to find common ground. Under this configuration, negotiations tend to move more smoothly, stalled discussions can resume, and agreements become easier to formalize.

With Jupiter in Cancer, there is an added emphasis on care, protection, and long-range thinking. Decisions made this spring are likely to prioritize stability and shared benefit rather than short-term convenience. Overall, this aspect creates one of the more cooperative and productive openings of the year, making it an excellent time to recalibrate plans and reconnect with people whose input genuinely matters.

The Sun Shines Over Troubled Waters 

Standing with both Saturn and Neptune is the Sun, a triple conjunction that can set a more subdued tone for public life and leadership. Saturn’s influence leans toward restraint and accountability, often highlighting where systems are strained or where responsibilities have outpaced resources. It encourages steady effort, but it also exposes limits, delays, and the need for clear boundaries. Anyone in a position of authority may feel pressure to deliver results under tighter conditions. 

Neptune’s involvement adds a different challenge. It brings imagination and compassion, but it can also blur lines, soften clarity, or make motives difficult to read. When the Sun meets Neptune, expectations can drift, information may be incomplete, and people may project more than they perceive. The combination with Saturn means the year may open with mixed signals: heightened sensitivity alongside the need for firmer structure. 

Moon on the Star Baten Kaitos, or the Belly of the Whale 

Another theme woven through Saturn and Neptune’s influence involves the movement of people across borders. This year’s chart places the Moon near Baten Kaitos, the star associated with the “belly of the whale,” long linked with forced travel, displacement, and rescue after difficulty. Historically, astrologers noted that this star often reflected circumstances in which individuals or groups were carried from one place to another by pressures outside their control. In a modern context, it often points toward migration, humanitarian strain, and the responsibilities communities share toward those in vulnerable situations. 

International headlines already reflect the complexity of these issues, from dangerous sea crossings to debates over policy and compassion. With this signature so prominent, the collective atmosphere may continue to highlight where support systems are stretched and where empathy is most needed (especially displaced communities). The year will require a steady, humane approach: an awareness of those navigating difficult transitions, and a willingness to consider how communities can extend care rather than turn away. 

Your Zodiac Sign’s Horoscope for Spring 2026’s Astrological New Year

Aries 

Relationships and collaboration come into sharper focus this spring, pulling you toward the people and projects that energize you. Emotional cues will matter more than usual, and your reactions may land with greater force, so tending to your inner landscape early helps everything else move more smoothly. Friendships and group efforts create meaningful avenues for action, though impatience with process or personalities could surface. Aim your initiative toward community work or creative ventures where momentum builds naturally and your instincts lead the way. 

Taurus 

A quieter current will shape the season, inviting you to step back, reflect, and address parts of your inner life that have gone unattended. Acts of compassion or forgiveness could open space for healing, especially around old relationship patterns. Everyday exchanges may broaden your perspective, pointing you toward new skills, writing projects, or long-range plans. Emotions will move subtly but deeply, so boundaries, rest, and private creative work will help you sort through what surfaces. Don’t be afraid to step out of the limelight for a bit – you won’t be forgotten. 

Gemini

A wider perspective will shape your early 2026, drawing you toward study, travel, or the kinds of ideas that stretch your worldview. Sharing what you learn may inspire others, though staying grounded will matter when theories outpace practical application. Friendships and group efforts also take on emotional weight, highlighting where you feel supported and where expectations need adjusting. Professionally, ambition sharpens. Dare to reach for greater responsibility or visibility: steady, disciplined choices will help you build a public presence with purpose and integrity. 

Cancer 

A growing sense of confidence and direction shapes the season, encouraging you to stretch past attitudes that once kept you contained. Professional visibility rises, drawing supportive people and opportunities into your orbit. Because emotions sit close to the surface, your public interactions and ambitions may feel more intertwined than usual, making steady pacing important. Diplomatic, creative approaches carry weight in career matters. Family or parental themes may resurface, asking you to keep both public goals and private needs in view as your influence widens. 

Leo 

As the year starts out afresh, will draw you into deeper emotional territory, prompting you to examine power dynamics around you and the feelings you usually keep protected. Honest exploration will strengthen resilience and support meaningful healing. At the same time, a pull toward travel, study, or larger philosophies will broaden your outlook and reconnect you with curiosity. Encounters with new cultures or ideas may shift long-held beliefs, so pace your reactions. As your horizons widen, you’ll seek both emotional freedom and a clearer sense of what genuinely inspires you. 

Virgo

This season brings sharp focus to work, health, and the daily systems that hold your life together. You’ll spot inefficiencies quickly and may feel compelled to refine routines, paperwork, or wellness habits with greater precision. Deeper emotional currents also rise, offering insight into motivations, power dynamics, and the need to release what no longer supports you. Financial or relational transitions are likely to surface. Friendships and group efforts, however, will open new avenues for growth, drawing you toward collaborations that strengthen your long-term aims and broaden your sense of purpose. 

Libra 

Being a Libra probably means you hear this a lot – still, partnership dynamics define much of the terrain ahead, highlighting the expectations, rhythms, and negotiations that sustain your closest ties. A heightened receptivity helps you read situations with nuance, though shifting moods may color judgment if you move too quickly. Professionally, this is a moment when visibility grows through thoughtful collaboration and consistent effort. Drawing on counsel, sharing credit, and setting clear boundaries will keep things above board. Strong alliances, both personal and professional, create the platform from which meaningful progress emerges. 

Scorpio 

Work, health, and daily structure will carry emotional weight in the early part of 2026, pushing you to streamline routines and put your energy where it genuinely counts. Responsibilities may feel heavier at moments, but small refinements will lead to meaningful progress. At the same time, a surge of creative and romantic drive will urge you toward pleasure, risk, and fuller self-expression; balance will matter. Travel, study, or encounters with unfamiliar perspectives could open your worldview, prompting you to release outdated beliefs and shape a more personally grounded philosophy. 

Sagittarius 

These early green months bring attention to borrowed resources and the deeper emotional patterns that shape how you give, receive, and rely on others. Financial arrangements may become more complex, so careful judgment will matter. At the same time, a surge of creative and romantic energy will pull you toward pleasure, recognition, and fully expressed enthusiasm. Artistic work, time with children, or playful pursuits will feel especially satisfying, though pacing yourself will help you avoid overindulgence. Joy is all around you, provided you match spontaneity with discernment. 

Capricorn 

Spring 2026 will highlight relationships as a source of genuine growth, bringing people into your life who expand your perspective or prompt you to refine your approach. Some bonds may deepen, while longstanding differences can be worked through with steady, constructive conversation. Mentally, you’re shedding patterns that no longer fit, and daily interactions reveal where updates are overdue. Communication may feel weightier for a time. Home and emotional life call for anchoring practices; strengthening routines and support systems will help you move through these transitions with clarity. 

Aquarius 

This spring will encourage a clearer look at your resources, asking you to rely more on your own capabilities than on external supports. Careful budgeting and a reassessment of what can be cut without threatening your long-term goals will help you build steadiness. Emotionally, conversations deepen. Writing, short trips, or exchanges with siblings and neighbors may open space for processing feelings and gaining perspective. Curiosity increases, and your immediate environment becomes a source of harmony and inspiration. As you sort through shifting priorities, everyday connections will offer grounding and, with time, clarity. 

Pisces 

A strong surge of initiative will shape your early 2026, giving you the momentum to start projects, take risks, or assert yourself more directly. This energy can open meaningful paths forward, though impatience or overshooting the mark will be worth watching. Creative and romantic life also grows more vibrant, encouraging joyful self-expression and warmer connections with those closest to you. Financial opportunities or temptations may surface as well. Indulgence has its place, but thoughtful choices will help you turn this heightened drive into lasting gains. 

While you’re here, check out your horoscope for the full moon in April as well!

Horoscope Author

Wade Caves, based in Brooklyn, NY, is an astrological consultant and educator specializing in problem-solving applications of astrology. He teaches astrological divination and astronomy at the School of Traditional Astrology. Wade also publishes his work on world astrology through Skyscript’s In Mundo publishing desk. He even hosts the World Astrology Summit. A conference dedicated to the advancement of astrology for global problem-solving. Website: wadecaves.com • skyscript.co.uk/inmundo. Email: hello@wadecaves.com.

Story by Wade Caves

Subscribe to TABLE Magazine’s print edition.

Basil Cucumber Spring Equinox Gimlet

0
A green basil and cucumber gimlet in a Nick and Nora glass with half a lime sitting beside it.

This Basil Cucumber Gimlet feels especially fitting for the spring equinox, a moment that marks balance, renewal, and the gentle transition into a brighter season. Its vibrant green hue mirrors the first signs of life returning to gardens and markets, evoking fresh herbs and new growth. The crisp coolness of cucumber pairs effortlessly with the sharp brightness of lime, creating a clean, invigorating taste that feels like a deep breath of spring air. When made with a floral-forward gin, the drink takes on an added layer of softness and complexity, as delicate botanical notes weave through the fresh basil and citrus. Altogether, it becomes a sensory expression of the season’s arrival that’s light, aromatic, and full of quiet energy.

When is the Spring Equinox in 2026?

The spring equinox is whenever the Northern Hemisphere shifts into a point where the sun crosses the equator. It’s on this day that daytime and nighttime are almost equal and the official start of spring begins. This year, 2026, the spring equinox occurs on March 20 specifically at 10:46 a.m. This also shifts the Southern Hemisphere into autumn, the opposite of us in the United States.

Print
clock clock iconcutlery cutlery iconflag flag iconfolder folder iconinstagram instagram iconpinterest pinterest iconfacebook facebook iconprint print iconsquares squares iconheart heart iconheart solid heart solid icon
A green basil and cucumber gimlet in a Nick and Nora glass with half a lime sitting beside it.

Basil Cucumber Spring Equinox Gimlet


  • Author: Angela Mazza

Description

Using a floral-forward gin enhances the fresh basil and bright citrus in this spring cocktail.


Ingredients

Scale
  • 2 oz gin (floral forward gin recommended)
  • ¾ oz fresh lime juice
  • ¾ oz basil simple syrup
  • 1/2 oz cucumber juice
  • 4 basil leaves

For the basil simple syrup:

  • 1/2 cup white sugar
  • 1/2 cup water
  • 10 basil leaves

For the cucumber juice:

  • 1/2 cucumber
  • 1/8 cup water


Instructions

  1. Muddle basil leaves with simple syrup, lime juice and cucumber juice in shaker.
  2. Add gin and ice. Shake and double strain into coupe or Nick and Nora glass.
  3. Garnish with basil leaf and cucumber ribbon and/or edible flower.

For the basil simple syrup:

  1. Bring to simmer to dissolve sugar in water and let cool.

For the cucumber juice:

  1. Blend cucumber with water.
  2. Strain pulp out to get juice. (Water is added just to allow to be more juice like and less thick)

Recipe by Angela Santucci Mazza
Photography by Dave Bryce

Subscribe to TABLE Magazine‘s print edition.

Create a free account, or log in.

Gain access to read this content, plus limited free content.

Yes! I would like to receive new content and updates.

Table Magazine wants to know your location.

TABLE Magazine operates regional sites - Knowing your location helps us route you to the appropriate site for the best experience.