Perhaps best known for his desk and wall calendars for Danese and his graphic apple and pear prints, Italian architect and designer Enzo Mari was a quiet—but not passive—genius. A major exhibition in London this spring and summer (March 29-September 8) spans Mari’s 60-year career, showcasing his incredible range. It includes furniture pieces, graphic design, and installations. I had the great privilege to interview Mari about 10 years ago in Milan. He was warm, humble, and charming.
Enzo Mari’s La Mela and La Pera Prints
Mari believed deeply in the idea that beautiful and useful design was for the many, not the few. He wanted his objects to be accessible, affordable, and to make a personal connection with the people who used them. He also connected with the artisans and manufacturers of his designs, ensuring that his objectives—functionality, quality, and cost—were met.
From Enzo Mari’s Autoprogettazione Collection
In 1974, Mari published the book Autoprogettazione, which included DIY furniture using only rough boards and nails. He was the original “maker” and instructed readers how to build practical and useful pieces with simple techniques. To Mari, the making was more valuable than the object.
Enzo Mari passed away due to complications related to COVID days before a retrospective of his work opened at the Triennale Milano in October of 2020.
From Enzo Mari’s Autoprogettazione Collection
Story by Stephen Treffinger
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